Master’s in Historic Paint and Finishes Engineering
Online master's programme of 1,900 hours in historic paint and finishes engineering, structured in 12 modules covering the history and chemistry of automotive paints, original colour research, stripping and preparation, nitrocellulose lacquers, synthetic and acrylic enamels, special finishes, colour matching, polishing, quality testing and spray-booth safety, with an assigned technical tutor.
Take the controls.
Run a real engineering trade-off from this field. Move the sliders, watch the model react in real time and beat the challenge.
What you will be able to do
Know the historical evolution of automotive paints.
Understand the chemistry of paint systems.
Research and document original colours.
Prepare surfaces using appropriate techniques.
Apply lacquers, enamels and special finishes.
Match, polish and protect historic finishes.
Assess finish quality with standardised tests.
Who it's for
- Classic vehicle painters aiming for period-correct refinishing.
- Colourists who match and formulate original and aged colours.
- Finish restorers working on conservation and originality.
- Spray-booth technicians responsible for application, safety and environmental compliance.
- Pinstriping and decoration specialists.
- Finish quality managers who carry out adhesion, gloss and thickness testing.
- Engineering or science graduates looking to move into classic vehicle restoration.
What you'll work with
- Directive 2004/42/EC (limits on VOC emissions from paints and vehicle refinishing products)
- ISO 2409 (paints and varnishes — cross-cut adhesion test)
- ISO 2813 (paints and varnishes — gloss measurement)
- ISO 2808 (paints and varnishes — determination of film thickness)
- ISO 11664-4 (colorimetry — CIE 1976 L*a*b* colour space)
- ISO 4628 (paints and varnishes — evaluation of coating degradation)
- Real Decreto 227/2006 (Spanish transposition of the VOC limits for paints and varnishes)
- FIVA Turin Charter (guidelines for the preservation and restoration of historic vehicles)
- AkzoNobel MIXIT
- PPG PaintManager
- X-Rite Color iQC
- Adobe Lightroom
12 modules · 1900 h
1.1Carriage varnishes and lacquers1.2Nitrocellulose lacquers of the 1920s1.3Synthetic alkyd enamels1.4Thermoplastic and thermosetting acrylics1.5Basecoat/clearcoat and metallics1.6Waterborne paints1.7Iconic colours by marque1.8Colour trends by era1.9Historic application techniques1.10Case study: identifying the original finish of a vehicle
2.1Binders, pigments, solvents and additives2.2Film formation2.3Physical and chemical curing2.4Historic pigments and their hazards2.5Metallic and pearlescent pigments2.6Compatibility between systems2.7Adhesion and stresses2.8UV degradation2.9Volatile organic compounds2.10Laboratory: system compatibility test
3.1Documentary sources and catalogues3.2Factory colour codes3.3Protected areas as a reference3.4Layer stratigraphy3.5Spectrophotometric measurement3.6Colorimetry in the CIELAB space3.7Effect of ageing3.8Period palettes3.9Documenting findings3.10Practical exercise: spectrophotometric measurement of a colour
4.1Chemical paint stripping4.2Controlled mechanical stripping4.3Blasting with soft media4.4Laser stripping4.5Stripping aluminium4.6Corrosion treatment4.7Phosphating steel4.8Anti-corrosion epoxy primers4.9Cavity protection4.10Workshop: preparing a stripped car body
5.1Characteristics of nitrocellulose lacquer5.2Preparation and thinning5.3Spray-gun application5.4Number of coats and drying5.5Sanding between coats5.6Polishing the lacquer5.7Current legal restrictions5.8Alternatives with a similar appearance5.9Common problems and their solutions5.10Practical exercise: applying nitrocellulose lacquer on a test panel
6.1Period alkyd enamels6.2Acrylic enamels and their variants6.3Hardeners and catalysts6.4Single-stage application6.5Period metallics6.6Finish without polishing6.7Gloss and depth6.8Partial paint repairs6.9Controlled ageing techniques6.10Case study: respray in synthetic enamel
7.1Hand pinstriping7.2Two-tone schemes and colour separations7.3Painted wood finishes7.4Painting wheels7.5Engine finishes7.6Painting chassis7.7Competition finishes7.8Decoration and logos7.9Patinas and ageing7.10Workshop: brush pinstriping
8.1Colour matching8.2Adjusting formulas8.3Colour blending8.4Repairing minor damage8.5Conservation touch-ups8.6Matching metallics8.7Inspection lighting8.8Digital colour tools8.9Documenting formulas8.10Practical exercise: matching an aged metallic
9.1Cutting and polishing9.2Abrasives and compounds9.3Rotary and dual-action machines9.4Correcting defects9.5Waxes and sealants9.6Protective ceramic coatings9.7Conserving original paint9.8Long-term maintenance9.9Polishing mistakes9.10Case study: correcting an original finish
10.1Thickness measurement10.2Gloss and its measurement10.3Cross-cut adhesion10.4Film hardness10.5Orange peel10.6Defect assessment10.7Ageing tests10.8Concours judging criteria10.9Quality report10.10Laboratory: adhesion and gloss tests
11.1Spray booths11.2Ventilation and filtration11.3Protective equipment11.4Isocyanate hazards11.5Waste management11.6VOC regulations11.7Fire prevention11.8Energy-efficiency measures11.9Environmental permits for the workshop11.10Practical exercise: safety plan for a spray booth
12.1Selecting the vehicle12.2Researching the original finish12.3Intervention plan12.4Surface preparation12.5Applying the chosen system12.6Quality testing12.7Full documentation of the process12.8Conclusions and future work12.9Master's Thesis report12.10Master's Thesis: defence before a panel
How you'll learn
The programme is 100% online on the SEIUM campus, with downloadable material, recorded classes and an assigned technical tutor. There are no fixed timetables: you progress at your own pace within the intake, so you can combine it with your job.
Each module combines theory, guided reading of the original standard and applied exercises. The working software is AkzoNobel MIXIT, PPG PaintManager, X-Rite Color iQC and Adobe Lightroom, in free, academic or evaluation versions. Testing is studied through real procedures: spectrophotometric colour measurement, cross-cut adhesion tests and stratigraphic analysis of paint layers. Assessment is continuous by module, plus the final Master's Thesis.
Standards covered: Directive 2004/42/EC, ISO 2409, ISO 2813, ISO 2808, ISO 11664-4, ISO 4628, Real Decreto 227/2006, FIVA Turin Charter.
Build it end to end
Your final project follows the real engineering workflow, step by step, reviewed by your tutor.
Where this takes you
Requirements
- A university degree in engineering, science or architecture, or equivalent demonstrable professional experience.
- An internet connection and a computer capable of running the programme's software.
- English sufficient to read technical standards.
Ready to start?
Send your application today. Our admissions team replies within 72 hours with your study plan and funding options.
Frequently asked questions
The programme totals 1,900 hours over 12–14 months. You set your own pace within each intake, and your tutor helps you plan the workload around your job.
You work with AkzoNobel MIXIT, PPG PaintManager, X-Rite Color iQC and Adobe Lightroom, using free, academic or evaluation versions. Your tutor indicates the free alternative wherever one exists.
A SEIUM Institute diploma, awarded on passing the continuous assessment and the Master's Thesis. It is SEIUM's own qualification, not an official state degree; its recognition depends on the programme completed and the regulations of each country.
Yes. Modules passed in a course or postgraduate diploma in the same area are recognised in the higher programme. Ask about the recognition policy when you enrol.
A university degree in engineering, science or architecture (or equivalent professional experience), a computer able to run the software and English sufficient to read technical standards.
Start dates are set by SEIUM's faculty for each intake. Our admissions team will confirm the next available date when you apply.
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